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  AFRICANISM: THEME, AND TECHNIQUE IN AMOS TUTUOLA’S THE PALMWINE DRINKARD

  ₦3,000.00
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  AN EVALUATION OF THE IMPACT OF NAPEP ON ENTREPRENEURSHIP DEVELOPMENT IN NIGERIA

  ₦3,000.00
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  AN EVALUATIVE STUDY OF TEACHING AND LEARNING OF ENGLISH GRAMMATICAL STRUCTURES IN SOME SELECTED PRIMARY SCHOOLS

  ₦3,000.00
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  AN EXAMINATION OF DEICTIC REFERENCES IN SELECTED DAILY SUN EDITORIALS

  ₦3,000.00
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  ART AND POLITICS IN WOLE SOYINKA’S THE BEATIFICATION OF AREA BOY AND OLA ROTIMI’S OUR HUSBAND HAS GONE MAD AGAIN

  ₦3,000.00
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  CHARACTERIZATION AND SYMBOLISM IN OLU OBAFEMI’S WHEELS AND NGUGI WA THIONGO’S A GRAIN OF WHEAT

  ₦3,000.00
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  CHARACTERS AND JOURNEY IN AMOS TUTUOLA’S THE PALM WINE DRINKARD AND GABRIEL AJADI’S THE FOREST OF GOD ANNOTATED TRANSLATION OF D. O. FAGUNWA’S IGBO OLODUMARE

  ₦3,000.00
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  CLASS STRATIFICATION, POVERTY AND SOCIAL INJUSTICE

  ₦3,000.00
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  CLASS STRUGGLE IN THE CONTEXT OF SELECTED TEXTS

  ₦3,000.00
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  CODE MIXING AND CODE SWITCHING AMONG MARKET WOMEN IN NIGERIA (A CASE STUDY OF ILLORIN KWARA STATE)

  ₦3,000.00
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  CODE MIXING AS A SOCIOLINGUISTIC MEDIUM IN SOME SELECTED SONGS IN THE NIGERIAN MUSIC INDUSTRY

  ₦3,000.00
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  COMPARATIVE ANALYSIS OF EMECHETA’S SECONDCLASS CITIZEN AND NWAPA’S EFURU

  ₦3,000.00